In recent years, the construct of character has received substantial attention among developmental scientists, but no consensus exists about the content and structure of character, especially among children and early adolescents. In a study of positive development among racially diverse Cub Scouts in the greater Philadelphia area, we assessed the construct and concurrent validity of a new measure of character, the Assessment of Character in Children and Early Adolescents, among 906 Scouts and 775 non-Scout boys and girls. We identified an (...) eight-correlated-factor model as providing the best fit with our data. We further established measurement invariance and explored latent mean differences for ACCEA scores across two Scout groups, non-Scout boys and non-Scout girls. Girls were generally superior than boys on all character attributes. We further examined concurrent validity of ACCEA by correlating the character attributes with youth sense of school competence, intentional self-regulation and parental perception of youth school performance. We discuss implications for future character research and point to the value of the ACCEA measure being used by practitioners in character development programs. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Three Ovidian Tails PAUL BAROLSKY Kneeling at the edge of a pond in push-up position, a beautiful nude boy crowned with flowers gazes down at the water in which he beholds his reflection. In love, he is enthralled. Thus, the image of Narcissus rendered by the Florentine painter Alessandro Allori in a work that has been largely overlooked until recently. Datable to the second half of the sixteenth (...) century, it now hangs in the Turkish Embassy in Washington, DC. In the distant background of the picture we behold Echo, who extends an arm upward seemingly in a gesture of despair, since she is rejected by Narcissus. She stands before a mass of rock, her left leg beginning to turn to stone, the very stone into which she vanishes as only her voice remains when she echoes her beloved. The painting abounds in Alessandro Allori, Narcissus. Photograph © Patricia Rubin. arion 26.3 winter 2019 closely observed passages such as the little fish in the pond, one of which has captured a worm. There are other notable details such as the crab on a rock in the foreground, or the clusters of pendulous, ripe grapes, fruit of Bacchus, to whom androgynous Narcissus is likened in Ovid’s Metamorphoses. Allori also employs poetic simile in his picture, since the fingers of the youth’s left hand rhyme with the finger-like roots that emerge from the water. These roots are magnified in turn by their reflected image on the water’s surface. 136 three ovidian tails Abraham Janssens, Nymph and Pan Among the Reeds. AKG / Museen Böttcherstra ße. The apex of the picture, we might say, is baby Cupid who, hovering above, aims his dart at Narcissus and thus arouses the boy’s desire. The shape of Cupid’s bow echoes that of Narcissus ’s prominent buttocks which are framed by the attractive, bright golden drapery fluttering prominently around the youth’s posterior. One might well say that Allori features the buttocks of Narcissus’s body most provocatively in a kind of butt which recalls that of Cupid in the famous Venus, Cupid, Folly, and Time painted by the artist’s teacher, Bronzino. What Allori pictures is not exactly what Ovid writes. It is, however, how Allori imagines the Narcissus of Ovid’s tale. Allori is not alone among Ovidian artists in focusing on the backside of the human body. The posterior is especially prominent in another mythological picture, this one from the early seventeenth century, executed by a disciple of Rubens, Abraham Janssens. This work has found its way to Bremen, where it is now housed in the Ludwig Roselius Museum. It illustrates Pan’s pursuit of Syrinx, who is metamorphosed into reeds in a story told by Mercury in order to put Argus asleep. Ovid is Janssens’s point of departure. The artist depicts the moment when a muscular Pan with a ruddy, almost leathery face embraces Syrinx in her new form as a bunch of reeds. Janssens departs from Ovid with a most novel invention. He depicts a woman, seen from behind, who dominates the composition. With sharp contrasts of lights and darks, vestiges of Caravaggio, the painter emphasizes the female’s imposingly broad backside, which is framed by a billowing, bright, attention-grabbing red drapery that she seems to hold across the front of her body. Could it be that Janssens here alludes to the backside of Syrinx as Pan would have seen it when he chased her? It would seem that we are given not only a view of Pan embracing reeds, we are simultaneously given a Pan’s-eye view of Syrinx’s prominent and provocative backside before her metamorphosis. I wish to consider one final example of the derrière in Ovidian art, this one prominent in a picture painted well Paul Barolsky 137 over a hundred years after Janssens worked: Louis-JeanFran çois Lagrenée’s Abduction of Deianira by the Centaur Nessus, a work which is now in the Louvre. In Ovid’s story, Hercules arrives with his bride Deianira at the shore of the river Evenus where she is abducted by Nessus, who flees only to have Hercules shoot him with... (shrink)

Davidsonian analyses of action reports like ‘Alvin chased Theodore around a tree’ are often viewed as supporting the hypothesis that sentences of a human language H have truth conditions that can be specified by a Tarski-style theory of truth for H. But in my view, simple cases of adverbial modification add to the reasons for rejecting this hypothesis, even though Davidson rightly diagnosed many implications involving adverbs as cases of conjunct-reduction in the scope of an existential quantifier. I think the (...) puzzles in this vicinity reflect “framing effects,” which reveal the implausibility of certain assumptions about how linguistic meaning is related to truth and logical form. We need to replace these assumptions with alternatives, instead of positing implausible values of event-variables or implausible relativizations of truth to linguistic descriptions of actual events. (shrink)

Words indicate concepts, which have various adicities. But words do not, in general, inherit the adicities of the indicated concepts. Lots of evidence suggests that when a concept is lexicalized, it is linked to an analytically related monadic concept that can be conjoined with others. For example, the dyadic concept CHASE(_,_) might be linked to CHASE(_), a concept that applies to certain events. Drawing on a wide range of extant work, and familiar facts, I argue that the (open (...) class) lexical items of a natural spoken language include neither names nor polyadic predicates. The paper ends with some speculations about the value of a language faculty that would impose uniform monadic analyses on all concepts, including the singular and relational concepts that we share with other animals. (shrink)

This paper recognizes that we become bored in our post-modern, consumerist Western world and that boredom is related to this existence and hidden within it. Through Heidegger, it seeks to provide a way to structure our understanding of boredom and suggest ways of acknowledging its cause, and then to allow it to liberate our authentic appreciation of the world of our workplace and what can be learnt through it. Using the approach of focusing on being in a societal workplace environment, (...) and the link to Heidegger’s notion of mood, revealed in Being and Time, boredom’s fundamental role is shown as a complex temporal manifold. Our superficial attempts to deal with things in datable time means that we miss the essential importance of the temporal manifold through which our being is revealed and where the Augenblick, (moment of vision) is the authentic present and temporalises itself of the authentic future (Heidegger in Being and time (trans: J. Macquarrie and E. Robinson). Blackwell, Oxford, 1962 , p. 338). For Heidegger this is to be understood as ecstasis (ibid, p. 338) when the resolute Dasein “is carried away to whatever possibilities and circumstances are encountered (ibid, p. 338). Such resoluteness enables the private capabilities to arise in public practice, not, however, in the conformity of what ‘one does’ (Das Man) but as an authentically choosing being. The challenge of an ontological pedagogy, regardless of its place of revelation that this prescribes a possibly be edifying mission for Dasein. Instead of chasing away boredom through busyness, a moment of vision could produce creative and authentic ways of being. (shrink)

As the title of this paper suggests, these remarks on Foucault should be understood as an attempt to complete the picture that McDonell has provided of Michel Foucault's work, rather than as a critique of that picture. I find myself in agreement with much that McDonell has said, but would nevertheless like to comment on a few points. There are two main features of McDonell's introduction to Foucault. First, the overall bearing of Foucault's work is held to have to do (...) with the history of ideas, with a special concern with the methodology that such a type of history should follow. Second, the work of Michel Foucault possesses a rather strong unity that can be stressed in taking L'archéologie du savoir as, so to speak, the sun of a small theoretical system around which revolve such planets of written words as Histoire de Ia folie à l'âge classique, Naissance de Ia clinique, Les mots et les chases and, eventually, Surveiller et punir. (shrink)

Philosophers and ethicists debate this controversial moral principle illustrating its application to current moral dilemmas such as war, suicide, nuclear power, affirmative action, and morphine use for terminal cancer patients.

Following Oliver Ramsbotham’s observation that conflict resolution and analysis have not taken radical disagreement seriously enough, and in light of his lament that he has not yet found an adequate philosophy of radical disagreement, this article claims that the philosophy of Alasdair MacIntyre provides some coreelements of any adequate philosophy of radical disagreement. MacIntyre’s theory suggests that the problem of radical disagreement is in fact more radical thanRamsbotham affirms. Ramsbotham’s account of the strategic engagement of discourses (SED) approach is critiqued (...) in light of MacIntyre’s diagnosis of radical disagreement, which calls into question its theoretical and philosophical basis. The main problem is held to be that of internal radical disagreement, which SED appears to skirt over. This is elucidated through a brief exploration of two philosophical approaches to moral-political disagreement in relation to Israeli peace activism and the Colombian conflict. (shrink)

The Archaeology of Prehistoric Arabia: Adaptation and Social Formation from the Neolithic to the Iron Age. By Peter Magee. Cambridge World Archaeology. New York: Cambridge University Press, 2014. Pp. xv + 309, illus. $99.

Südarabien im Altertum: Kommentierte Bibliographie der Jahre 1997 bis 2011. By Walter W. Müller. Epigraphische Forschungen auf der Arabischen Halbinsel, vol. 6. Tübingen: Wasmuth, 2014. Pp. vii + 187. €19.80.

The term "viewing stones" is primarily associated with two traditions of stone appreciation: Chinese Gongshi and Japanese suiseki. Today, viewing-stone associations around the world take inspiration from these traditions and are creating new ways of displaying stones. Petraphiles, whether ancient or contemporary, are often drawn to express their appreciation of favored stones in writing.The Petraphiles represented in this virtual exhibition are diverse in their expressions of geo-affection. They are, by turns, both scholarly and poetic. In each entry there is a (...) sense of discovery. Thomas Elias finds his Liaoshan Green Stone talking to him about the vicissitudes of life. Kemin Hu's research on a... (shrink)

For nearly a century, and until very recently, the majority of U.S. states required a blood test for marriage license applicants. The tests identified people with conditions formerly designated as "venereal diseases," most importantly gonorrhea and syphilis. Those who tested positive were barred from civil marriage. Although the premarital testing requirement is no longer a feature of state law, numerous related enactments are common features of law in most states.The historical literature describing the rise and fall of laws prescribing marriage (...) restrictions related to VD has treated those enactments as public health measures, meant primarily to forestall the spread of disease to intimate partners. But laws to... (shrink)

Dans la ligne tracée par les travaux de Paul Ricœur, familier aux exégètes, l’herméneutique biblique doit se préoccuper du lien de la pensée hmaine avec la vie de l’univers., du rapport de l’écriture à la loi ou à l’éthique, de la consonance profonde de la pensée religieuse avec le langage symbolique. L’écriture est, en effet, l’une des techniques par lesquelles l’être humain, dès ses origines, assure sa maîtrise sur l’univers ; l’écrit lui sert à codifier la vie en société (...) et le fonctionnement de l’autorité. La comparaison des diverses cultures religieuses entre elles permet de discerner le travail original de la foi d’un peuple sur les symbolismes dont il a hérité.In the line traced by the works of Paul Ricœur, familiar to exegetes, biblical hermeneutics should be preoccupied with the connection between human thought and the life of the universe, the rapport of scripture to law and ethics, and the profound harmony of religious thought with symbolic language. Scripture is, indeed, one of the techniques by which human beings, since their origin, assure their control over the universe. Writing serves to codify life in society and the functioning of authority. The comparison of diverse religious cultures allows us to discern the original work of the faith of a people on their inherited symbolisms. (shrink)

As a Popperian, Ian C. Jarvie takes falsifiability to be a defining characteristic of rationality. This suggests that any disagreement about the truth or falsity of a particular belief that can be settled by further evidence should be rationally resolvable, at least in the following sense. Niceties about probabilities aside, one should be able to specify under what conditions, that is, given what evidence, one would surrender that belief. Put another way, if a belief will not be given up no (...) matter what evidence one might ever confront, then this establishes that belief as mere dogma. (shrink)

L'étude de la communication peut offrir une perspective sur le contexte de la théologie, un examen de sa structure, et une reflexion sur son contenu. La communication est primordiale pour la société contemporaine, affectant la façon dont les gens utilisent leur temps, façonnant les informations qu'ils reçoivent, influençant la manière dont ils pensent , et les rendant plus soupçonneux vis à vis de l'autorité. L'histoire de la théologie montre les effets des formes de communication, reflétant la narration, la rhétorique, et (...) les structures polémiques des cultures orales, aussi bien que les instruments analytiques de l'écriture et l'imprimerie. Finalement, l'étude de la communication suggère une façon différente de considérer des sujets théologiques traditionnels. Le salut divin, par exemple, peut se concentrer sur la communication en interprètant l'histoire du salut comme une histoire de l'auto-communication de Dieu et la restauration de la communication humaine. (shrink)

Paradox and origin : on the structure of legal communication -- History, law and hermeneutic self-reference -- Self-mastery and the conversion of force : an ethics of freedom -- The social metaphysics of law : Vico's communicative body and the paradoxical grounding of freedom and authority -- The creative formation and foundation of society's law : on the nature of poetic wisdom -- Between freedom and authority : Vico's history of roman law -- The technique of command : on the (...) problem of freedom in Weber's sociology of law. (shrink)

This article reflects on the assumption underlying the argument of Little et al. that "contested understandings" in the clinic are susceptible to reconciliation within a liberal framework described as "pragmatic pluralism". It is argued that no such reconciliation is possible or desirable because it is of the nature of the clinic that it provides a forum for multiple voices, ethical and cultural perspectives, and conceptual frameworks, and this is the source of its fecundity and creativity. Medicine itself cannot be represented (...) by a single discourse, precisely because it is itself an unruly collection of practices that, despite their heterogeneity, are able to engage in productive dialogues with each other. The heteroglossia of the clinic, therefore, is not a problem to be overcome. Rather, it is a rich resource to be mobilized in accordance with its multiple inherent purposes. (shrink)

This dissertation analyzes and critiques three definitions of 'forgiveness'--that of Joseph Butler, Jeffrie Murphy, and Jean Hampton--paying special attention to the question of the theories of emotion these authors seem to presuppose. I have chosen these definitions for my focus for several reasons: Murphy's definition has a central role in the current debate about forgiveness, as it is cited in much of the subsequent literature and is a version of a well-known definition. Also, Murphy considers Butler's definition to be his (...) own starting point. Hampton's definition is a direct response to Murphy's. By looking at these three we have a series of definitions, each a reaction to its predecessor, and also three representatives that illustrate the diversity of the definitions of 'forgiveness.' ;I argue that each of these definitions of 'forgiveness' is incomplete. Ordinary language usage shows that forgiveness is a more complex concept than these philosophers indicate. Forgiveness consists of three dimensions: what I term the 'speech act,' the 'emotional,' and the 'concomitant action' dimensions. A proper definition of 'forgiveness' must account for all three dimensions of the concept; these three only define the emotional dimension. Further, even as definitions of only the emotional dimension of forgiveness, each of these definitions is still too narrow, failing to account for the complexity of that dimension. ;A second focus of this dissertation is the theories of emotions these definitions presuppose. As these three definitions are of 'forgiveness' in its emotional dimension, all depend upon some view of the nature of emotions. I argue that these three definitions of 'forgiveness' presuppose different and incompatible theories of emotion which contributes to confusion about the proper definition of 'forgiveness.' Some of the putative disagreement about forgiveness is actually disguised disagreement about the nature of emotions. Therefore, not only should philosophers seek to define 'forgiveness' broadly enough to capture the complexity of the concept of forgiveness in all three dimensions, they should focus attention on the theory of emotion on which such a definition must rely. (shrink)

I argue that when we interpret a literary work, we engage with at least two different kinds of meaning, each requiring a distinct mode of interpretation. These kinds of meaning are literary varieties of what Paul Grice called nonnatural and natural meaning. The long-standing debate that began with Beardsley and Wimsatt's attack on the intentional fallacy is, I argue, really a debate about nonnatural meaning in literature. I contend that natural meaning has been largely neglected in our theorizing about (...) literary interpretation and that this comes at a serious cost, resulting in an inadequate account of what interpretation involves. I argue, first, that by recognizing that literary meaning includes both nonnatural and natural meaning, we are better placed to understand the interpreter's relationship with the author, and, second, that recognition of the distinction between nonnatural and natural meaning advances the established debate about literary meaning, offering support for actual intentionalism. The more inclusive view of literary meaning helps resolve an apparent difficulty raised by Noël Carroll. (shrink)